Yaar, sach batao, hum Indians ko films se kitna pyaar hai na? Bollywood ho, Tollywood ho, ya Kollywood, humari zindagi ka ek bahut bada hissa hai ye silver screen ka magic. Weekends ho, holidays ho, ya bas mood theek karna ho, ek achhi film sab kuch theek kar deti hai. Par, sometimes, kuch films aisi hoti hain jo humein entertain toh karti hain, but saath hi saath itna confuse kar deti hain ki hum poochh baithte hain, “Aakhir chal kya raha hai bhai?”
Haan, main baat kar raha hoon un plot holes, continuity errors aur un illogical moments ki, jinhe dekh ke humein lagta hai ki Director sahab, writer sahab, thoda toh rehem karte humari akal par! Yeh sirf humari baat nahi hai, I’m pretty sure aap bhi meri baat se agree karenge. Chalo, aaj isi ‘gadbad’ par thodi lighthearted baat karte hain.
Aakhir Yeh Kaisi Gadbad? Humari Filmon Ke Kuch ‘Sir-Khujane Wale’ Moments!
Har film banate waqt kitni mehnat lagti hai, humein pata hai. Lakhon log kaam karte hain, crores ka budget hota hai, aur end product ko hum sab celebrate karte hain. Par yaar, kabhi-kabhi kuch aise moments aa jaate hain screen par jinhe dekh ke sirf hum hi nahi, humare popcorn bhi confuse ho jaate hain.
The ‘Logic Kahan Gayi?’ Wala Moment
Yeh sabse common category hai. Aise scenes jahan logic ne ekdum se break maar di ho, aur humein samajh nahi aata ki abhi jo hua, woh kaise hua?
* Hero ki Invincibility: Hero sahab ko 50 log ghere huye hain, goliyaan chal rahi hain, par unhe ek scratch tak nahi aata. Aur jaise hi hero ka mood banta hai, woh akele hi saari army ko dhool chata dete hain. Physics? Gravity? What’s that?
* Convenient Coincidences: Kahani ko aage badhane ke liye itni ajeeb coincidences hoti hain ki humein lagta hai ki yeh toh pakka director ki saazish hai. Jaise, hero ek anjaan shehar mein gaya aur uski bachpan ki dost wahi bakery mein kaam kar rahi hai jahan woh pehli baar jaata hai. Aise kaise, bhai?
* Villain ka IQ Drop: Puri film mein villain itna smart hota hai, master planner, par climax mein woh ekdum se dumb ho jaata hai aur hero ko bachne ka mauka de deta hai. Yaar, yeh toh cheating hai!
Continuity Errors: ‘Arre, Abhi Toh Shirt Pink Thi!’
Yeh meri personal favourite category hai. Jab aap film dekh rahe ho aur ek scene ke do alag shots mein cheezein change ho jaati hain.
* Kapde Badalna: Heroine ek shot mein red dress mein hai, aur next shot mein wohi scene continue ho raha hai, aur woh blue mein hai. Hum toh hairan reh jaate hain ki yeh magic hai ya galti?
* Objects ki Position: Table par glass ek shot mein right mein hai, agle shot mein left mein. Ya koi phone call par hai aur phone ek shot mein left hand mein hai, next mein right mein. Bechare spot boy ko kitna bolna padta hoga, “Sir, woh chair thodi left!”
* Wounds ka Gayab Hona: Hero ko abhi-abhi ghutne par chot lagi thi, blood bhi nikal raha tha, par agle hi scene mein woh race mein daud raha hai aur koi nishan tak nahi. Matlab, Aloe Vera gel ki factory laga rakhi hai kya?
Geography aur Physics Ko Namaste!
Humari films mein geography aur physics aksar chutki mein badal jaati hai.
* Impossible Travel: Mumbai se Delhi tak ka safar, ek gaane mein complete ho jaata hai. Aur woh bhi bina traffic ke! Ya ek village se seedhe foreign location, woh bhi within minutes. Aise lagta hai ki inke paas teleportation devices hain.
* Gravity ki Apmaan: Cars hawa mein udti hain, hero 100 feet upar se girta hai aur seedha khada ho jaata hai, building blast hoti hai aur hero uske beech se nikal jaata hai. Newton sahab toh kabr mein hi confuse ho jaate honge.
The ‘Flashback Ya Future?’ Conundrum
Kuch films apni storytelling ko “experimental” banane ke chakkar mein itna complicated kar deti hain ki timeline samajh hi nahi aati. Kaun sa flashback hai, kaun sa present, aur kahin yeh future toh nahi dikha rahe? Aise mein humein multiple times rewind karke dekhna padta hai.
Speaking of complex plots that sometimes leave us scratching our heads, remember how we talked about `Dhurandhar`? If you missed our take on Ranveer Singh’s performance and the film’s overall narrative, check out our Dhurandhar Review: Ranveer Singh Ne Machaya Dhamal Ya Reh Gayi Kuch Kami? It’s always interesting to see how even big films handle their storytelling.
Unexplained Character Motivations (Kyun Bhai, Aisa Kyun?)
Jab characters bina kisi reason ke kuch bhi karte hain, toh audience ka dimaag ghoom jaata hai.
* Villain ka Sudden Change of Heart: Villain poori film mein badmaashi karta hai, aur climax mein ek dum se saint ban jaata hai. Ya hero jiska mission revenge hai, woh end mein sab maaf kar deta hai. Aakhir why?
* Heroine ka Illogical Decision: Heroine ko ek acha ladka mil raha hai, par woh bina kisi reason ke ek toxic partner ke paas waapis chali jaati hai. Yaar, yeh toh sach mein samajh se bahar hai.
Par Phir Bhi Hum Dekhte Kyun Hain?
In sab ‘gadbad’ ke baad bhi, hum apni films se pyaar karna nahi chhodte. Kyun? Kyunki films sirf logic ya continuity ke baare mein nahi hoti. Woh emotion ke baare mein hoti hain, entertainment ke baare mein hoti hain, aur ek kahani mein kho jaane ke baare mein hoti hain. Woh humein hasaati hain, rulaati hain, inspire karti hain. Woh humare dilon mein ek khaas jagah rakhti hain. Aur kabhi-kabhi toh yeh chhoti-moti galtiyan hi humein discussion ka topic de deti hain, jo ki khud mein ek entertainment hai, sahi kaha na?